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The Future Is History
The Future Is History
How Totalitarianism Reclaimed Russia
WINNER OF THE 2017 NATIONAL BOOK AWARD IN NONFICTIONFINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARDS WINNER OF THE NEW YORK PUBLIC LIBRARY'S HELEN BERNSTEIN BOOK AWARD NAMED A BEST BOOK OF 2017 BY...
WINNER OF THE 2017 NATIONAL BOOK AWARD IN NONFICTIONFINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARDS WINNER OF THE NEW YORK PUBLIC LIBRARY'S HELEN BERNSTEIN BOOK AWARD NAMED A BEST BOOK OF 2017 BY...
Reviews-
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May 1, 2017
Activist Russian American journalist Gessen, author of the best-selling The Man Without a Face: The Unlikely Rise of Vladimir Putin, charts the emergence of a new brand of autocracy in Russia today by charting the lives of four people born at the time communism fell. Entrepreneurs or intellectuals, they grew up ready to break boundaries, with big hopes and dreams that have been stripped away by the state.
Copyright 2017 Library Journal, LLC Used with permission.
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August 28, 2017
Gessen (The Brothers), the esteemed Russian-American journalist, takes an intimate look at Russia in the post-Soviet period, when the public’s hopes for democracy devolved within a restricted society characterized by “a constant state of low-level dread.” She structures the book around the experiences of four principal individuals who came of age in the aftermath of the U.S.S.R.’s collapse: Masha, whose activism led her to become a “de facto political prisoner”; Seryozha, the grandson of Alexander Nikolaevich Yakovlev, the politician who spearheaded the reforms of the Gorbachev era; Lyosha, a homosexual academic in a homophobic society; and Zhanna, the daughter of murdered opposition leader Boris Nemtsov. Three other figures also make regular appearances: psychoanalyst Marina Arutyunyan, sociologist Led Gudkov, and far-right ideologue Alexander Dugin. Readers gain a deeply personal view into “what it has felt like to live in Russia”—Lyosha, for instance, has had to grapple with media that “equated pedophilia and sexual violence with homosexuality”—and are presented with unique perspectives on the country during “the privations of the 1980s, the fears of the 1990s, and... the sense of shutting down that pervaded the 2000s.” Throughout, Gessen expounds on Russia’s development into a “mafia state” with elements of totalitarianism—a state fueled by a revanchist nationalism wherein each member of society must become “an enforcer of the existing order.” She presents the somber peculiarities of modern Russia in a well-crafted, inventive narrative. Agent: Elyse Cheney, Elyse Cheney Literary. -
Starred review from August 15, 2017
A brilliant if somber look at modern Russia, a failed democracy, by prizewinning journalist Gessen (The Brothers: The Road to an American Tragedy, 2015, etc.). First there were the serfs, and then "Homo Sovieticus," the gloomily obedient men, women, and children who waited in bread lines and slaved in mines and factories. Are they the avatars of the good old days? With Vladimir Putin's rise and increasingly absolutist rule, there may be something to the old saw that the Russian soul craves authoritarianism. Yet, as Gessen, who has written extensively on Putin, writes, that may flat out not be so. As she notes in this urgent chronicle, examining the Russian character through sociological instruments was frowned on, even banned, until the late 1960s, when Yuri Levada, who turns up at several points in this long narrative, began to look at how ordinary Russians thought about their society. For one thing, later surveys showed that although some wanted "rockers," "hippies," and "pederasts" (read: homosexuals) to be "liquidated," a far larger number advocated tolerance, especially younger Russians. Those younger Russians are the focus of the author's character-driven approach, a kind of nonfiction novel that compares favorably to the work of Svetlana Alexievich. One of Gessen's cases in point, a still-youngish woman named Masha, has learned to work every angle thanks to a resourceful mother who, among other things, figured out ways to "teach Soviet Jews to beat the anti-Semitic machine." By all rights, Masha, entrepreneurial and smart, ought to be in the forefront of Russian development, but having run afoul of Putin's regime, she is effectively a nonperson, "a de facto political prisoner." So it is with Zhanna, whose father, opposition leader Boris Nemtsov, was gunned down on a Moscow bridge in 2015, "with the Kremlin as the backdrop for the murder." All Gessen's players harbor the low-level dread on which totalitarian regimes thrive--and all, a refrain has it, believe that their country is dead. A superb, alarming portrait of a government that exercises outsize influence in the modern world, at great human cost.COPYRIGHT(2017) Kirkus Reviews, ALL RIGHTS RESERVED.
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Starred review from September 1, 2017
Award-winning journalist and author of a scathing biography of Vladimir Putin (The Man without a Face, 2012), Gessen is a Soviet-born daughter of dissidents who came to the U.S. as a teenager, then, drawn by the optimism of the 1990s, returned to Russia, only to come back to America after the nascent democratic movement was crushed by Putin and his cronies. She has now written an angry and sorrowful account of the gradual but relentless destruction of aspirations for democracy and freedom under Putin, tracking the broad outlines of what she sees as a descent into a new and vicious totalitarianism. Opposition political parties are marginalized. Opposing voices are silenced by murder, intimidation, or exile. The economy is again under government control, as are the mass media. Gessen also views these developments through the prism of several young Russians who were born in the mid1980s and can bear witness to the despair and even hopelessness that now infect those who envisioned something much better. Most disturbingly, she suggests that the rise of this new mafia state was accepted and even facilitated by a general population that neither embraced nor desired freedom or democracy. This is a devastating, timely, and necessary reminder of the fragility and preciousness of all institutions of freedom.(Reprinted with permission of Booklist, copyright 2017, American Library Association.)
