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No One Here is Lonely
Cover of No One Here is Lonely
No One Here is Lonely
Our entire lives are online, but what if the boy you love actually lives there? For fans of Adam Silvera comes a story about the future of relationships.Eden has always had two loves: her best friend,...
Our entire lives are online, but what if the boy you love actually lives there? For fans of Adam Silvera comes a story about the future of relationships.Eden has always had two loves: her best friend,...
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Description-

  • Our entire lives are online, but what if the boy you love actually lives there? For fans of Adam Silvera comes a story about the future of relationships.
    Eden has always had two loves: her best friend, Lacey, and her crush, Will. And then, almost simultaneously, she loses them both. Will to a car accident and Lacey to the inevitable growing up and growing apart.
    Devastated by the holes they have left in her life, Eden finds solace in an unlikely place. Before he died, Will set up an account with In Good Company, a service that uploads voices and emails and creates a digital companion that can be called anytime, day or night. It couldn't come at a better time because, after losing Lacey—the hardest thing Eden has had to deal with—who else can she confide all her secrets to? Who is Eden without Lacey?
    As Eden falls deeper into her relationship with "Will," she hardly notices as her real life blooms around her. There is a new job, new friends. Then there is Oliver. He's Lacey's twin, so has always been off-limits to her, until now. He may be real, but to have him, will Eden be able to say goodbye to Will?
    Sarah Everett deftly captures the heartbreak of losing your best friend and discovering love in the unlikeliest of places.

About the Author-

  • Sarah Everett grew up in enchanted forests, desert islands, and inside a magical wardrobe. She speaks two Nigerian languages and a small amount of Afrikaans, and was also president of her high school's Japanese club (which was only slightly less nerdy than it sounds). She now lives in Alberta, Canada, where she moonlights as a graduate student and writes young-adult novels. She believes in chocolate, daydreaming, and good mistakes. When she's not writing, Sarah is probably nose-deep in a book, bemoaning her nonexistent sense of direction or engaging in some "car-aoke" while she tries to find her way home. Her first book was Everyone We've Been. Visit her on Twitter at @heysaraheverett.

Reviews-

  • Publisher's Weekly

    October 22, 2018
    Eden’s longtime crush, Will, is killed in a car accident just before high school graduation, on the very night they finally kiss. When she returns Will’s jacket to his mother, she is given the phone number to In Good Company, software that replicates the voice and personality traits of the departed. Eden uses the service to chat with Will, or at least a facsimile of him, via telephone. She goes to him for advice and comfort when her plans to be a camp counselor go up in smoke; when she and her best friend, Lacey, have a falling out; and when she discovers her mother cheating on her father. But Eden’s continued crush and growing dependency on Will prevent her from developing relationships with real people, especially a boy she is just beginning to trust. Everett (Everyone We’ve Been) makes the improbable seem plausible in this novel, which is part unrequited love story, part cautionary tale about grief turning to obsession and fantasy. Ages 12–up. Agent: Suzie Townsend, New Leaf Literary.

  • AudioFile Magazine Narrator Imani Parks delivers this teen romance with a vein of science fiction. High school has just ended, and Eden couldn't feel more alone. Her best friend won't give her the time of day. Her mom is hiding a secret that could destroy her family. The only person Eden can talk to is her longtime crush, Will--the same Will who died a few weeks ago. Before he died, Will donated his voice and personality to a cutting-edge tech company to be used for one of their products: a phone companion. Parks performs Eden's and Will's voices similarly, so the young friends' phone conversations are hard to follow. Parks pauses at awkward places in the middle of sentences. This sometimes lends a poetic quality to the narration, though usually it feels clumsy. S.P. � AudioFile 2019, Portland, Maine

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    Penguin Random House Audio Publishing Group
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