"Haunting ... teems with raw emotion, and McCullough deftly captures the experience of learning to behave in a male-driven society and then breaking outside of it."—The New Yorker "I...
"Haunting ... teems with raw emotion, and McCullough deftly captures the experience of learning to behave in a male-driven society and then breaking outside of it."—The New Yorker "I...
Due to publisher restrictions, your digital library cannot purchase additional copies of this title. We apologize if there is a long holds list. You may want to see if other editions of this title are available from your digital library instead.
Due to publisher restrictions, your digital library cannot purchase additional copies of this title. We apologize if there is a long holds list. You may want to see if other editions of this title are available from your digital library instead.
Description-
"Haunting ... teems with raw emotion, and McCullough deftly captures the experience of learning to behave in a male-driven society and then breaking outside of it."—The New Yorker
"I will be haunted and empowered by Artemisia Gentileschi's story for the rest of my life."—Amanda Lovelace, bestselling author of the princess saves herself in this one
A William C. Morris Debut Award Finalist 2018 National Book Award Longlist
Her mother died when she was twelve, and suddenly Artemisia Gentileschi had a stark choice: a life as a nun in a convent or a life grinding pigment for her father's paint.
She chose paint.
By the time she was seventeen, Artemisia did more than grind pigment. She was one of Rome's most talented painters, even if no one knew her name. But Rome in 1610 was a city where men took what they wanted from women, and in the aftermath of rape Artemisia faced another terrible choice: a life of silence or a life of truth, no matter the cost.
He will not consume my every thought. I am a painter. I will paint.
Joy McCullough's bold novel in verse is a portrait of an artist as a young woman, filled with the soaring highs of creative inspiration and the devastating setbacks of a system built to break her. McCullough weaves Artemisia's heartbreaking story with the stories of the ancient heroines, Susanna and Judith, who become not only the subjects of two of Artemisia's most famous paintings but sources of strength as she battles to paint a woman's timeless truth in the face of unspeakable and all-too-familiar violence.
I will show you what a woman can do.
★"A captivating and impressive."—Booklist, starred review ★"Belongs on every YA shelf."—SLJ, starred review ★"Haunting."—Publishers Weekly, starred review ★"Luminous."—Shelf Awareness, starred review
Once upon a time I was a child, not the woman of the house.
Not so long ago but long enough the days of tugging on my mother’s skirts in hopes of being lifted up at every whim are hazy round the edges, like a shadow bleeding into light.
It’s hazy how, her belly round with brothers, Mother still made room for me to crawl up on her lap to hear a story no one else would tell.
How she’d look down and ask me what I thought of Father’s paintings, listen to my answer.
It’s hazy how she made my father laugh. How when I’d startle in the night she’d soothe me with a tune to chase away the monsters.
It’s hazy how her last few weeks, confined to bed, the child inside a greater weight than those who came before, and even when the child arrived
a sister, finally, cold and blue,
and fever dreams bled into pain laced with delirium, Prudentia Montone spent the last of her strength to burn into my mind the tales of women no one else would think to tell.
Those stories of a righteous woman, her virtue questioned through no fault of her own; of a widow with nothing left to lose . . . No way to tell where shadow ends and light begins
but Mother was always the light.
12.
Light dances on the child’s curls and whether Father sees or not the bond between the baby and his mother is perfection.
Twelve years with my mother were not enough but I know how to paint the love, the source of light.
The final touches that remain would go unnoticed to an unskilled eye. In truth, I could release her now. A signature the final touch,
Orazio Gentileschi, (never Artemisia)
the client would be satisfied, and none would be the wiser.
But I would know her arm is not quite right. It wraps around the baby, yet still looks flat.
Father babbled out some useless nonsense when I tried to ask him how to fix the problem. I don’t think he understood my question. If he cannot see the problem to begin with, how could he ever solve it?
It’s only a commission, doesn’t even bear my name. But I’m not only painting the Madonna. I’m building a ladder, each new technique, a rung.
13.
Every time my father shoos me down the stairs away from my studio, each time he speaks to buyers as though I am not there, each time they leer at...
About the Author-
Joy McCullough writes books and plays from her home in the Seattle area, where she lives with her family. She studied theater at Northwestern University, fell in love with her husband atop a Guatemalan volcano, and now spends her days surrounded by books and kids and chocolate. Her debut novel, Blood Water Paint, was longlisted for National Book Award and was a finalist for the William C. Morris Debut Award.
www.joymccullough.com @jmcwrites
Reviews-
Starred review from April 16, 2018 McCullough's debut, told primarily in verse, introduces 17-year-old Artemisia Gentileschi, who was in real life a talented young painter during the Italian Baroque period. Grudgingly trained by her father and forced to sign his name to her clearly superior work, Artemisia chafes against the confines of being a woman in a male-dominated world. When an established artist takes an interest in her, Artemisia reaches for the opportunity to improve her craft, but she soon learns that his interest is less than noble and her protestations are no protection. Interspersed throughout Artemisia's story are those of ancient heroines Susanna and Judith, two women who stand against men who covet their bodies and seek to destroy. As Artemisia tries to tell the truths of these women on canvas ("I know/ what it is to be watched,/ to be leered at what it is to be a thing"), she grows into her own power and finds the strength to stand against her own rapist. A haunting, stirring depiction of an unforgettable woman, Artemisia's story will resonate deeply with readers today and beyond. Ages 14âup. Agent: Jim McCarthy, Dystel, Goderich & Bourret.
Based on a true story and read by skilled narrator Xe Sands, this coming-of-age novel commemorates Italian painter Artemisia Gentileschi. Early on, Sands entwines notes of patience and wistfulness into Artemisia's voice as the girl spends her days studying her father's trade and reminiscing about her mother's empowering bedtime tales. Listeners will quickly be swept away by the steady rhythm of Sands's words as she reveals Artemisia's life through captivating free verse. After Artemisia is raped by her tutor, Sands's tone shifts from an innocent teen's to a desperate woman's, one who is seeking to remedy her brokenness and is determined to not be silenced by shame or society's view of her. Sands's extraordinary performance throughout this painful yet victorious story is not to be missed. V.C. � AudioFile 2018, Portland, Maine
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Based on a true story and read by skilled narrator Xe Sands, this coming-of-age novel commemorates Italian painter Artemisia Gentileschi. Early on, Sands entwines notes of patience and wistfulness into Artemisia's voice as the girl spends her days studying her father's trade and reminiscing about her mother's empowering bedtime tales. Listeners will quickly be swept away by the steady rhythm of Sands's words as she reveals Artemisia's life through captivating free verse. After Artemisia is raped by her tutor, Sands's tone shifts from an innocent teen's to a desperate woman's, one who is seeking to remedy her brokenness and is determined to not be silenced by shame or society's view of her. Sands's extraordinary performance throughout this painful yet victorious story is not to be missed. V.C. � AudioFile 2018, Portland, Maine
